Posts Tagged With: cisgender

Princess Odette: The Feminist Swan

Okay, so it’s very possible that my sisters and I were the only three children in 1994 who were singing along to Dreamworks’ obscure animated film, The Swan Princess, being that Odette was not as popular as everybody’s favorite Disney princesses. She was however, in my opinion, a feminist.

If you haven’t already seen the movie, in which (according to IMDb), “a power hungry sorcerer transforms a princess into a swan by day in this tale of everlasting love,” then I highly recommend you watch the following clip and see for yourself the provocative question Princess Odette asks Prince Derek when he appears to fall madly in love with only her beauty:

Derek’s response is a self contained question, or rather a rhetorical one: “what else is there?” One such utterance implicates to Odette that beyond beauty, nothing else matters. Of course, such meaningful things as personality, likes, dislikes, passions, fears, aspirations, etc. are all to be included within that arbitrary category of beyond. Those were the things Derek felt no compulsion to consider in his arrogant “proposal,” in which he spoke not to Odette, but rather for her:

“Arrange the marriage!”

I think it’s necessary to point out this critical turning point in the plot because it is something that is oftentimes overlooked in some of the more traditional fairytales of Walt Disney Pictures. In fact, there are many arguments surrounding the dangerous effects that the Disney industrial complex has on the self-esteems of young people everywhere. They instruct rather specific gender norms, which teach young girls that as long as they dream, (see: Cinderella‘s “A Dream Is A Wish Your Heart Makes“), their insecurities will magically be cured by a fairy God mother or a handsome prince, or both!

Animated Disney classics tend to repeat certain themes:

Men are brave, handsome saviors.

(Masculinities theorist, R. W. Connell, writes about hegemonic masculinity theory in his research on representations of ideal masculinity versus subordinate masculinities, along the lines of race, class, ability, sex, gender, sexuality, ethnicity and religion.)

Women are feminine, cisgender victims of external forces of violence- from which they require external saving.

Disney Princesses adhere to a strict size 2 body and dress code.

Beauty is defined in terms of, “fairness of skin,” and quality of hair.

(See: true classics blog post on, “Lips red as the rose. Hair black as ebony. Skin white as snow.”)

Disney villains are often distinguished according to bodily malformations, darkness of skin, advanced age and/or weight.

(Beauty and love are synonymous to lightness [of features], youth, and innocence in the wonderful world of Disney.)

But Walt Disney Pictures aren’t the only culprits in this neoconservative scheme to instruct traditional gender norms Take, for example, my girl Odette! The Swan Princess adheres to that same size 2 body and dress code, those same savior-damsel heteronormative codes of gendered behaviors and also that same racialized morality according to character’s skin pigmentation and appearance.

But instead of accepting her fate as the unthinking flower, Odette asked a critical question to Derek and to the viewing audience (i.e. ME!…& hundreds of thousands of impressionable children). She asked us to think about the intensified value we place on physical appearance versus what else there really is to a person.

Why hadn’t any other princess challenged her own occupation before? No wonder nobody has ever heard of Princess Odette.

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Categories: Creative Blog Posts | Tags: , , , , , , , , , , , , , , | 4 Comments

Shattered Illusions: ‘Intervention’ and How A&E Got Rich Off of Recovery

Do these faces look familiar?

These are the faces of A&E’s hit reality television series, Intervention.

Each of them are white and every one of them has their own story to tell, or rather has a version of their story told for them – by friends, family and the show’s network narrators. I have been watching this series on and off for a couple of years now. It is very intriguing and, needless to say, has brought its network (A&E) so much success, that can be measured in both dollars as well as credibility. In fact, Intervention reports a 70% success rate for its “participants” – using a method of intervention known as the Johnson style. This traditional model typically yields a 30% – 40% success rate, meaning that those who undergo one such style of intervention report sobriety one year after treatment. But the folks down at A&E have separate standards by which they measure success. In her lecture earlier today, Professor Daniels shared with our class that several people have died since their episode featured on A&E, but were counted as “successes” simply for having completed their 30-day-or-so treatments.

But aside from revealing those not-so-inspiring truths about Intervention’s so-called-success rates, Professor Daniels lecture and article on, “INTERVENTION: REALITY TV, WHITENESS, AND NARRATIVES OF ADDICTION,” did work to truly deconstruct those narratives told by A&E’s Intervention, exposing their representative biases. The show is predominantly heteronormative, in that it almost exclusively deals with heterosexual individuals – rarely featuring those identifying as gay, lesbian or bisexual. Furthermore, the show is totally cisgender in that it has not featured transgender individuals or those identifying as genderqueer (i.e gender identities other than man or woman, which do not adhere to binary categories of cisgender normativity). In terms of sexual diversity, Intervention consistently ignores the wide ranging reality of sex-gender variance among ‘substance abusers’ alike.

So what are the dangers in framing representations solely along heteronormative lines? It occludes differences among what substances impact which communities (and how). It undermines the legitimacy of human variance. How can something (or someone) be regarded with any real validity if it (or s/he) continues to go unrecognized? But those blind spots (unfortunately) do not stop at sex, gender and/or sexuality. Intervention features [cisgender] men and women equally on their program – meaning 50% of the episodes feature men and 50% feature women. However, this seemingly non-biased representation of addiction is skewed. Real life statistics paint a very different picture pertaining to substance abuse and gender.

According to the Substance Abuse and Mental Health Services Administration (SAMHSA):

  • Any use of alcohol is reported by 58% of males and only 48% of females
  • Binge drinking is reported by 31% of males and only 15% of females
  • Heavy alcohol use is reported by 11% of males and only 3% of females

In all cases, males accounted for more or heavier usage of alcohol, which just happens to be the predominant substance featured on A&E’s Intervention as the abused drug of choice. But in the case for alcohol consumption/abuse, women are being over-represented, as such 50/50 narratives of addiction do not properly mirror reality. Daniels further elaborates on such (mis)representations in her piece on, “INTERVENTION: REALITY TV, WHITENESS, AND NARRATIVES OF ADDICTION,” as she deconstructs the show’s deployment of medicalization, biopower, and governmentality. These Foucaultian buzz words indicate certain regulated processes of policing bodies that are racialized as they are gendered, according to strict standards of health and morality.

We have discussed some of the ways in which A&E’s Intervention disproportionately features women as addicts, and furthermore how the show systemically constructs a heteronormative binary world of just men and just women; failing to mirror reality on both accounts. Daniels also focuses on the series’ depiction of addiction as whiteness in crisis. That is, social privilege being wasted: “wasted whiteness,” as the show rarely features men and women of color. This works to reify certain punitive measures surrounding race and addiction that are present in society at large; that is to say that the State penal system punishes racial/ethnic minorities while “self-sufficient [white] citizens” are subjected to more “neoliberal regimes” of bodily regulation.

…whites make up 63.7% and Latinas/os make up 16.3% of the general U.S. population, 4 yet Latinas/os only appear as characters in 6% of episodes of Intervention. African Americans make up 12.6% of the U.S. population, while only 4% of those appearing on Intervention are black. Asian and Pacific Islanders make up 5% of the U.S. population and appear on Intervention as main characters 1% of the time (Daniels 7)…

We can draw parallels from the show’s narratives of addiction to the ways by which we conceive of race and addiction in our every day lives. By constructing addiction as both badness as well as sickness, A&E’s Intervention effectively justifies popular notions of moralizing health that are the productive rhetoric of biopower (hard at work). The show’s representations of race, ethnicity, sex, sexuality and gender contribute to hegemony, as they are skewed. It is imperative that we remain critical of these makeover reality television series, which aim to construct certain capitalist qualities as desirable (i.e. heterosexual relationships, and in the case for women, beauty).

Let us unpack these narratives, so as to reveal the neoliberal mechanisms by which they have been articulated.

Categories: Creative Blog Posts | Tags: , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

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